Skip to main content

Baahubali: The Conclusion

Finally got a chance to catch up with the most awaited movie of the year, in fact, for the past 2 years. While the first part gave away the possible backstory of the movie, there were so many intriguing questions like "Why Kattappa killed Baahubali" and "How Baahubali was ousted from the empire". 

From a plot perspective, the hooks for second part had already been laid firmly by director Rajamouli in the first one. To top it all, the Baahubali franchise has "grandeur" as the selling point. So people were kept on the wait for the sort of grandeur that was to be unleashed with cutting edge CG and animation.

The conclusion, as mentioned before, starts from Kattappa narrating the times he spent with Baahubali Senior, how he was ousted from the empire and ultimately gets slain by Kattappa himself. Then, predictably, the revenge saga starts and we are treated to a happy ending with good taking over the evil.
But after watching the movie, I firmly believe that the story just cannot be described on paper. It has to be experienced. After all, tonnes of effort, passion and diligence have gone into the making of this visual extravaganza. This is a movie that has to be enjoyed on IMAX (sadly the Tamil version hasn't got it) and ATMOS fitted auditoriums, in order to immerse oneself into the movie.

From a script perspective, the romantic interludes between Anushka and Prabhas was a lot better than the one that was showcased in the first part between Prabhas and Tamannaah. Sathyaraj was a pillar of strength in terms of supporting cast and was literally anchoring the movie at emotionally charged moments. As the loyal servant who has to choose between his loyalty and conscience, his inhibitions were conveyed with subtle but majestic body language and detailed expressions.

Comments

Post a Comment

Popular posts from this blog

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Mehandi Circus

                   In Mehandi Circus, romance is in the air. Somewhat literally. For, the hero and heroine fall in love to the sounds of Ilaiyaraaja songs and Yeh Raatein Yeh Mausam from Dilli Ka Thug. The guy is Jeeva (debutant Madhampatti Rangaraj, not-so-expressive), who has a music cassette shop in Poompaarai, Kodaikanal. The girl, Mehandi (Shweta Tripathi, impressive in her Tamil debut) is a performer in a circus that has come to the place. Mehandi’s father (Sunny Charles), who also runs the circus, is wary of encouraging this relationship, for Jeeva’s father, Rajangam (Marimuthu) calls the shots in the village. Rajangam is also casteist, so much that he will not even let a worker enter his living room to talk over the phone to his mother, who is critical! While the framing device, involving Mehandi’s teenage daughter, Nisha (Pooja), who comes in search of Jeeva, of Mehandi Circus, is set in 2010, much of the film happens ...