Veeram might not have one of the best storylines, but it was a movie that targeted a set of audience and was made to satisfy them. One of the main reasons the flick clicked was majorly because of Ajith Kumar’s screen presence.
Pawan Kalyan is someone who has his own style of acting and mass factor and without an iota of doubt, you could say that Powerstar would do complete justice to a script such as this, even without seeing his performance. That is the consistency of the actor over the years. Having said that, let’s see how well the film as a whole has worked?
A hot-tempered guy (Pawan Kalyan) with 4 younger brothers, who falls in love with a soft, kind-hearted girl (Shruti Haasan). But to gain the love of the woman, he should never again resort to violence but that’s not going to be easy especially when the girl’s family is in danger. Does he manage to tackle the baddie at the same time not letting his love life fall berserk? This is the story of Katamarayudu. The core theme of Veeram has been retained, but the director has kept the screenplay as fresh as possible from the original Tamil version.
Even Pawan Kalyan's characterisation has been sketched quite differently from Ajith in Veeram. Here it is stiffer and subtle. They have taken special care on the romance part which is laced better and dealt more logically. The segment where Pawan falls in love with Shruti Haasan looks interesting, mainly because it shows Pawan Kalyan in a different shade - a subtle, fun, graceful and shy side.
Katamarayudu has enough potential to be presented as a no-holds-barred entertainer with some crowd pleasing dialogues and plenty of action scenes. Pawan and Ali complement each other as well and they manage to break the movie into laughter with their wisecracks. Shruti is just another pretty face in the movie and has absolutely nothing to do other than look pretty and dance gracefully. Coming to the songs, a couple of them work while a couple of them slow the proceedings.
Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...
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