Skip to main content

Puthan Panam


The trailer had aroused a lot of curiosity as to how Ranjith would mould demonitization issue into a story. But as the movie rolls into its second half, we realise it has hardly got anything to do with that issue. In 'Puthanpanam' we can find a mishmash of familiar movies like 'Big B' or 'Loham'. And as the movie ends it fails to meet the expectations.
'Puthanpanam' has too many things working against it. A thin plot that meanders, a cast underutilized, a gun story that is too stretched and Ranjith not at his best. For non-Kasargode people, the dialect may sound fine and we would applaud Mammootty's efforts. But ask anybody from Kasargode and they will frown.
The first half does talk about demonitization. Mammootty plays a don like character with illegal businesses. The money roll back affects him because of some people who cross him. The second half has him chasing them and strangely a run after a gun. We do have Mammootty's style and heroisms, but the plot is too lame and the characters loose their steam.
Mammootty does well as Nithyananda Shenoy. He is in his element. But the characterisation suffers here and there, which affects Mammootty's portryal. Also some bad editing and camera in the fight sequence creates a bad impression. The female cast of Ineya and Niranjana has done well too. The rest of cast including Mammokoya, Suresh Krishna and others have done well. So have the villains.
The camera work is good enough barring some sequences like the one mentioned above. Editing could have been better. Ranjith's craft is sound but his creativity has flattered in 'Puthanpanam'. 'Leela', his previous outing had drawn a lot of criticisms. He has not been able to lift himself with his Mammootty movie.
With 'Great Father' also in theatres, it wouldn't be surprising if everyone picks that over 'Puthanpanam'and rightly so. Though interesting in patches, this one is just an average fare.




Labels:

Comments

Post a Comment

Popular posts from this blog

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...
1 comment
Read more

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...
3 comments
Read more

Mehandi Circus

                   In Mehandi Circus, romance is in the air. Somewhat literally. For, the hero and heroine fall in love to the sounds of Ilaiyaraaja songs and Yeh Raatein Yeh Mausam from Dilli Ka Thug. The guy is Jeeva (debutant Madhampatti Rangaraj, not-so-expressive), who has a music cassette shop in Poompaarai, Kodaikanal. The girl, Mehandi (Shweta Tripathi, impressive in her Tamil debut) is a performer in a circus that has come to the place. Mehandi’s father (Sunny Charles), who also runs the circus, is wary of encouraging this relationship, for Jeeva’s father, Rajangam (Marimuthu) calls the shots in the village. Rajangam is also casteist, so much that he will not even let a worker enter his living room to talk over the phone to his mother, who is critical! While the framing device, involving Mehandi’s teenage daughter, Nisha (Pooja), who comes in search of Jeeva, of Mehandi Circus, is set in 2010, much of the film happens ...
2 comments
Read more