Skip to main content

KARUPPAN

Vijay Sethupathi has got back to the rural routes after a long time with Karuppan, which released today for pooja holidays. Kathir (Bobby Simha) has an interest for Anbu (Tanya Ravichandran), but due to family situations, she gets hitched to Karuppan (Vijay Sethupathi). What does Kathir do, to separate Karuppan and Anbu, and does he finally get to marry Anbu? is what the basic premise of the film is about.


Vijay Sethupathi proves again he is an effortless performer, who easily fits in any given role. Karuppan character looks tailor-made for Makkal Selvan, who makes no mistake in delivering it. His charismatic screen presence and body language are enjoyable. Unlike other mainstream commercial films, Karuppan's heroine has a meaty role with good screen time, fortunately. Tanya has an expressive face, and she has done justice to her role. However, it would've been better if Tanya had rendered her own voice, instead of opting for a dubbing artist. Bobby Simha's role as the antagonist could have been designed with more weightage and scope for performance. Other actors like Pasupathi, Renu emote well with the limited scope given to them. Singam Puli's comedy has majorly worked.

The first half of the movie is full of celebration and happy moments. Only in the latter half, the film takes the serious route with vengeance, drama, and much more. Karuppan has a done and dusted screenplay, that we've seen in many films earlier, but the saving grace here is, Vijay Sethupathi's performance. If not for Vijay Sethupathi, this film wouldn't have got this flavour and engagement. His chemistry with Tanya is pretty decent, and their scenes together work well.

The Jallikattu scene needs a special mention, as it has been shot so colourfully, with full of energy. The sentiments are overdone to an extent, and after a certain point of time, it turns too melodramatic. One complainable issue in the film would be the vengeance portions, which doesn't engage you much.


The need or importance of Sharath Lohitashwa's character is questionable. Though he is being showcased as a notorious villain, he neither has a significance nor travels till the climax. The song sequences could've been chopped off, especially the Murukku Meesa Mama number.



Popular posts from this blog

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Android Kunjappan Version 5.25

  A   buffalo on a rampage ,   teenaged human beings   and a robot in addition, of course, to adult humans – these have been the protagonists of Malayalam films in 2019 so far. Not that serious Indian cinephiles are unaware of this, but if anyone does ask, here is proof that this is a time of experimentation for one of India’s most respected film industries. Writer-director Ratheesh Balakrishnan Poduval’s contribution to what has been a magnificent year for Malayalam cinema so far is  Android Kunjappan Version 5.25 , a darling film about a mechanical engineer struggling to take care of his grouchy ageing father while also building a career for himself.Subrahmanian, played by Soubin Shahir, dearly loves his exasperating Dad. Over the years he has quit several big-city jobs, at each instance to return to his village in Kerala because good care-givers are hard to come by and even the halfway decent ones find this rigid old man intolerable. Bhaskaran Poduval (Suraj ...

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...