Skip to main content

Us




‘Us’ begins in the modest 1986 setting when amusement parks on American beaches came with all sorts of funny and mysterious games. In them, was always a dingy fun house with a maze of mirrors that can leave you more terrified than amused. Writer-Director Jordan Peele sets the stage for a mystery thriller right from the start, taking us into his make-believe world of unnerving possibilities. Along the way he also drops subtle hints about the film’s layered narrative that points towards many uncomfortable truths about the world we live in. Pay attention to them.

Peele’s storytelling is masterfully unhinged in its execution to accommodate his unique vision.

The central theme of the film is gradually unraveled in a disturbing narrative that requires constant suspension of disbelief.

Film’s writing is peppered with organic humour that often serves as a natural respite from high tension. The background score adds to the overall impact. While there are a few jumpscares for those looking for regular horror gimmicks, a large part of spookiness comes from its extended metaphor.

However, what works without any ambiguity is the rock solid performance by the Academy Award winner Lupita Nyong’o. She single handedly conveys bulk of the emotions that range from instilling the fear to expressing it. Dressed in the red jumpsuit as the menacing doppleganger from the group called ‘The Tethered’ she is delectably frightening. Winston Duke’s character is endearing as he tries to be a hero for his family. He does well within the limitation of his relatively underwritten role.

There are a few nagging questions that remain unexplained despite many cryptic references, which is bound to leave you frustrated, especially, if you miss some of the clues thrown in earlier. But Peele’s conviction comes together in the climax, as he makes a final revelation that could lead to a catastrophic new world order.

‘Us’ is as refreshing as it is perplexing. As the director takes you into the eerie world of his protagonist, he attempts to marry deep rooted sociopolitical issues with cinematic horrors, and eventually leaves you with some food for thought. This is not your staple horror fare, but a more evolved riddle of an imaginary dark world that might just be a reality. Think again!

Comments

Popular posts from this blog

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Gangubai Kathiawadi

  STORY:  Based on S. Hussain Zaidi and Jane Borges’ hard-hitting book ‘Mafia Queens of Mumbai,’ ‘Gangubai Kathiawadi’ chronicles Ganga’s rise to power and fame from a demure small-town girl in Gujarat, to the undisputed queen of kamathipura in Mumbai. REVIEW:  Women invitingly standing at the doorstep of a kotha (brothel) in the bustling bylanes of south Mumbai’s infamous red-light area Kamathipura, is a scene that is real, tragic and dramatic. Director Sanjay Leela Bhansali’s film ‘Gangubai Kathiawadi’, set entirely against this gritty backdrop of Mumbai tells the story of many a young women, who were sold off to brothels for a few hundreds, solely through the eyes of its protagonist Gangubai (Alia Bhatt). It’s sometime in the early 1950s or 1960s when a starry-eyed and naïve Ganga is conned by her own lover Ramnik (Varun Kapoor) to elope with a promise that he will pave the path for her to make it as a heroine in Bollywood. What turns out and the truth as we all know i...