Skip to main content

Childrens Park




.


                    The good thing about a film by Shafi-Raffi is that you go expecting a few good laughs. The bad thing is, when the laughs run out, you don’t have much else to fall back on.

‘Children’s Park’ is typical fare by the director-screenwriter brothers. Two friends, Dhruvan and Vishnu Unnikrishnan, are chasing after big money that they think is their due. They befriend Sharafudheen, a politician’s hanger-on, who promises to help. The film, according to the slogan is ‘the story of three idiots’ and their comic capers and attempts to run an institution form the crux of the film.

The first half is chock-a-bloc with laughs, but when the second half gets serious and stirs into message-territory, it seems too stretched out and long. The film would have benefitted immensely if it were shorter by about half an hour. Character portrayals are appropriate, particularly of the political figures. And the two guys who run a food shack are continually hilarious.

Dhruvan and Sharafudeen are competent, but it is Vishnu Unnikrishnan, who shines in the comic role. He steals the thunder in the scenes with the others. The girls don’t have too much of screen time and their characters almost feel like obligatory additions. ‘Children’s Park’ is a feel-good film and you leave with a nice feeling to see the ‘three idiots’ come good. It is apt fare for a festival release.





Comments

Popular posts from this blog

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Mehandi Circus

                   In Mehandi Circus, romance is in the air. Somewhat literally. For, the hero and heroine fall in love to the sounds of Ilaiyaraaja songs and Yeh Raatein Yeh Mausam from Dilli Ka Thug. The guy is Jeeva (debutant Madhampatti Rangaraj, not-so-expressive), who has a music cassette shop in Poompaarai, Kodaikanal. The girl, Mehandi (Shweta Tripathi, impressive in her Tamil debut) is a performer in a circus that has come to the place. Mehandi’s father (Sunny Charles), who also runs the circus, is wary of encouraging this relationship, for Jeeva’s father, Rajangam (Marimuthu) calls the shots in the village. Rajangam is also casteist, so much that he will not even let a worker enter his living room to talk over the phone to his mother, who is critical! While the framing device, involving Mehandi’s teenage daughter, Nisha (Pooja), who comes in search of Jeeva, of Mehandi Circus, is set in 2010, much of the film happens ...