Skip to main content

Thumbaa




Thumbaa has a message that is relevant in these times of man-nature conflict – the need for man to co-exist with the wild. It conveys this through the adventure of three wide-eyed young people. Two of them, Hari (Darshan, whose performs is never convincing) and Umapathy (Dheena, an assured comic performance) are painters who have come to Top Slip for a painting job. The third one is Varsha (a chirpy Keerthi Pandian), who comes to the place hoping to take photographs of a tiger. Meanwhile, Thumbaa, a tiger, has crossed over to this side of the mountain range from Kerala with its cub, and a gang of poachers, led by the forest officer, are plotting to capture it.

The main USP of Thumbaa is that the animals are all computer-generated and in this aspect, the film succeeds to an extent. Thumbaa, the tiger’s features are well realised, though the animators fail at lending its image the weight. So, there are times when it looks like a soft toy rather than a real animal. A monkey, named Tiger, is included mainly to attract kids, and this one faces the same problem in animation.

The premise of Thumbaa has potential for a wholesome kids film. And it feels like one whenever we the focus is on the core plot involving the tiger. But the film feels juvenile when the three characters become its focus, for the writing in these portions is underwhelming. The idea seems to have been to make these portions humorous, but the comedy clicks only at times, and is often laboured, testing our patience. The film might entertain kids, but for the adults who accompany them, it might engage only in parts because of the uneven narration.



Comments

Popular posts from this blog

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Gangubai Kathiawadi

  STORY:  Based on S. Hussain Zaidi and Jane Borges’ hard-hitting book ‘Mafia Queens of Mumbai,’ ‘Gangubai Kathiawadi’ chronicles Ganga’s rise to power and fame from a demure small-town girl in Gujarat, to the undisputed queen of kamathipura in Mumbai. REVIEW:  Women invitingly standing at the doorstep of a kotha (brothel) in the bustling bylanes of south Mumbai’s infamous red-light area Kamathipura, is a scene that is real, tragic and dramatic. Director Sanjay Leela Bhansali’s film ‘Gangubai Kathiawadi’, set entirely against this gritty backdrop of Mumbai tells the story of many a young women, who were sold off to brothels for a few hundreds, solely through the eyes of its protagonist Gangubai (Alia Bhatt). It’s sometime in the early 1950s or 1960s when a starry-eyed and naïve Ganga is conned by her own lover Ramnik (Varun Kapoor) to elope with a promise that he will pave the path for her to make it as a heroine in Bollywood. What turns out and the truth as we all know i...