Skip to main content

The Last Full Measure

REVIEW: April 11, 1966: It was one of the darkest days in the lives of many US Army soldiers, who survived a bloody gun battle, but the memory of that day kills them every day. One man, William H. Pitsenbarger (Jeremy Irvine) — a 21-year-old US Air Force Pararescueman — gave up his own life to save over 60 soldiers he had never met. He let go off the chance to escape and stayed back to help his countrymen, knowing well that it could be fatal.

Writer-director Todd Robinson meticulously takes us through the guilt, the conspiracy and the struggle that became the hallmarks of this true story. He deploys an army of performers to showcase that convincingly. Sebastian Stan is impressive as Scott Huffman, a Pentagon-assigned civilian lawyer who investigates the fallen hero’s worthiness for a Medal of Honour. Stan deftly captures Huffman’s internal conflict and moral growth as he goes from being reluctant to committed towards the cause. Much of the emotional baggage is carried by the war veterans played by Samuel L. Jackson, Ed Harris and William Hurt, who lend good support with their performances. But it is Christopher Plummer and Dianne Lad’s restrained and poignant portrayal that truly underlines the pride and agony of a parent who lost their son to the war.

On the downside, ‘The Last Full Measure’ feels lengthy and the screenplay doesn’t effectively revisit the fateful day. We see repeated flashes of the day and the young William played by Jeremy Irvine doesn’t really get a chance to shine. The narrative invests much time in repeated internal conflicts of characters until a rousing climax unleashes its full potential as a tear-jerker.

The writing remains honest to the true events and gives its viewers and protagonists a befitting closure. It’s a story of redemption and retribution that deserves a telling as much as the top honour for a fallen hero.

Comments

Post a Comment

Popular posts from this blog

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Gangubai Kathiawadi

  STORY:  Based on S. Hussain Zaidi and Jane Borges’ hard-hitting book ‘Mafia Queens of Mumbai,’ ‘Gangubai Kathiawadi’ chronicles Ganga’s rise to power and fame from a demure small-town girl in Gujarat, to the undisputed queen of kamathipura in Mumbai. REVIEW:  Women invitingly standing at the doorstep of a kotha (brothel) in the bustling bylanes of south Mumbai’s infamous red-light area Kamathipura, is a scene that is real, tragic and dramatic. Director Sanjay Leela Bhansali’s film ‘Gangubai Kathiawadi’, set entirely against this gritty backdrop of Mumbai tells the story of many a young women, who were sold off to brothels for a few hundreds, solely through the eyes of its protagonist Gangubai (Alia Bhatt). It’s sometime in the early 1950s or 1960s when a starry-eyed and naïve Ganga is conned by her own lover Ramnik (Varun Kapoor) to elope with a promise that he will pave the path for her to make it as a heroine in Bollywood. What turns out and the truth as we all know i...