Skip to main content

Nizhal

 


Story: First Class Judicial Magistrate John Baby suffers from post-traumatic stress. One day, a friend tells him about a boy who narrates murder stories that carry real-life elements. Curious, John decides to meet the boy.



Review: Award-winning film editor Appu N Bhattathiri's debut directorial Nizhal, starring Kunchacko Boban and Nayanthara, begins with an accident involving John Baby, who is a First Class Judicial Magistrate. The incident instils post-traumatic stress in him, which follows him like a shadow. Later, during a conversation with his clinical psychologist friend Shalini (Divya Prabha), he learns about a little boy named Nitin (Izin) who narrates strange murder stories. When John meets Nidhin, he realises that his stories are not a figment of imagination, and their struggles are connected in some way. Inspired, John goes after his stories.

Appu has done a good as a debut director through this investigative thriller, whose storyline touches upon complexities of the conscious and subconscious mind. They are told subtly, making one curious, at the same time, a little fearful. S. Sanjeev's less dramatic script attempts to be innovative. The way it uses a natural force as a metaphor to explain the lead character's mental state is an example. It succeeds in keeping the audience hooked till the mid of the second half. And, the occasional comedy works. However, the way the script tries to connect the dots seems a bit peripheral.

Kunchako Boban gives an effortless performance as John Baby, a magistrate who struggles with his traumatic phase. His masked get-up in the first half evokes an eerie feeling and perfectly matches his character's dilemma. Nayanathara, who appears as Sharmila, an IT professional, is an apt choice for the role. She gives a stylish and impressive performance. The one who steals the show is little Izin who plays the role of Nitin, a vivacious boy who is mature for his age. The combination scenes of John and Nitin are quite charming. Divya Prabha, Rony David and Saiju Kurup also appear in significant roles.

The background score by Sooraj S Kurup is an interesting aspect of this movie. It is fresh and innovative and blends well with the core of the movie. One instance where he uses the boy's words as background score lifts the entire atmosphere. The well-edited movie has some delightful shots by cinematographer Deepak D Menon. Go for it if you are a fan of stories involving mind-games.

Comments

Popular posts from this blog

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Gangubai Kathiawadi

  STORY:  Based on S. Hussain Zaidi and Jane Borges’ hard-hitting book ‘Mafia Queens of Mumbai,’ ‘Gangubai Kathiawadi’ chronicles Ganga’s rise to power and fame from a demure small-town girl in Gujarat, to the undisputed queen of kamathipura in Mumbai. REVIEW:  Women invitingly standing at the doorstep of a kotha (brothel) in the bustling bylanes of south Mumbai’s infamous red-light area Kamathipura, is a scene that is real, tragic and dramatic. Director Sanjay Leela Bhansali’s film ‘Gangubai Kathiawadi’, set entirely against this gritty backdrop of Mumbai tells the story of many a young women, who were sold off to brothels for a few hundreds, solely through the eyes of its protagonist Gangubai (Alia Bhatt). It’s sometime in the early 1950s or 1960s when a starry-eyed and naïve Ganga is conned by her own lover Ramnik (Varun Kapoor) to elope with a promise that he will pave the path for her to make it as a heroine in Bollywood. What turns out and the truth as we all know i...