Skip to main content

Oh Manapenne!


Oh Manapenne is a film written by Tharun Bhascker and directed by Kaarthikk Sundar. It has screenplay and dialogues by Deepak Sundarrajan, and is the official remake of the Telugu film Pelli Choopulu. Harish Kalyan and Priya Bhavani Shankar play the lead roles while Anbu Thasan and Abishek Kumar play crucial supporting roles. The film is streaming on Disney Plus Hotstar.

Harish Kalyan plays the role of Karthik, a jobless engineering graduate who doesn't take anything serious in life. He is a good chef, but doesn't pursue it seriously. He goes to Shruthi's (Priya Bhavani Shankar) house along with his family seeking her alliance, but they realise it's the wrong house. Karthik's actual alliance wants him to succeed in a business. So he joins hands with Shruthi and starts a food truck business. The film deals with the dynamics of the relationship between the two, and also how the truck plays an important role in shaping their lives.

One of the strongest elements in the film is the cast where everyone is in top form. Harish Kalyan and Priya Bhavani Shankar carry film on their shoulders throughout, and are ably supported by Anbu Thasan and Abishek Kumar. Most of Anbu Thasan's jokes hit the right note and the man's timing is impeccable.

It is this humour which resuscitates the film whenever it dips. The film has a lot of cherry like moments and a lot of them are memorable. However there are 2-3 scenes here and there, where such moments are created, but those scenes feel rushed, not allowing the audience enough time to cherish them.

Apart from this minor, minor flaw, the film almost works like magic. Along with the humour scenes, most of the emotional scenes work, except for initial ones which are middling. For instance, Priya Bhavani Shankar's character isn't established properly at the start. So the scene where she falls in love during college doesn't work that well.

The film also conveys an important message about dowry in a non-preachy manner. The tiny detailing in Harish Kalyan and Priya Bhavani Shankar's rooms add value to the narrative. The former's room has a superman highlighting his masculinity, while Priya Bhavani's room has an image of Wonder Woman, reflecting her character.

The production design is fabulous, and Harish Kalyan's house looks exactly like a middle class household and a lot of youngsters will be able to relate to it. The editing is crisp, the music is soulful and creates a fantasy-like mood. The cinematography compliments the film really well. With the usage of yellow-ish colours, the visuals breeds warmth and creates a positive vibe.

Comments

Post a Comment

Popular posts from this blog

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Android Kunjappan Version 5.25

  A   buffalo on a rampage ,   teenaged human beings   and a robot in addition, of course, to adult humans – these have been the protagonists of Malayalam films in 2019 so far. Not that serious Indian cinephiles are unaware of this, but if anyone does ask, here is proof that this is a time of experimentation for one of India’s most respected film industries. Writer-director Ratheesh Balakrishnan Poduval’s contribution to what has been a magnificent year for Malayalam cinema so far is  Android Kunjappan Version 5.25 , a darling film about a mechanical engineer struggling to take care of his grouchy ageing father while also building a career for himself.Subrahmanian, played by Soubin Shahir, dearly loves his exasperating Dad. Over the years he has quit several big-city jobs, at each instance to return to his village in Kerala because good care-givers are hard to come by and even the halfway decent ones find this rigid old man intolerable. Bhaskaran Poduval (Suraj ...

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...