Skip to main content

Hridayam

 Story: Arun and Darshana are first-year engineering students and they fall in love soon after their college begins. And just as how things work generally in teenage, the road ahead isn't too easy for them. Life offers many twists and turns that they least expect.



Review: At a time in which college students hardly get to experience their campus or form friendships, Hridayam offers its version of a fun campus life, and a chance for those who miss it, to reminisce about their youthful days.

Arun (Pranav Mohanlal) and Darshana ( Darshana Rajendran) fall in love soon after they join college in the first year. They are crazy about each other, but not too wise to avoid the general pitfalls of campus romance. The friendship, love and connections go through various transformative phases, as the narrative progresses. The movie also goes on to show how Arun enters the next phase of life and handles its evolution into various stages.


Hridayam tries to give a realistic, coming-of-age depiction of a Malayali's campus life in Chennai and those who have done engineering in the city might connect with it the best, thanks to the different moods, flavours and vibes of the city woven into the narrative in a hearty manner. Pranav's character can be termed a perfect archetype of Malayali engineering students, who attempt to chart their own path in campus and life, after a brief initial phase of conforming to the popular trend. Yes, they start on the beaten track, but realizes halfway through that this is not what they want. The movie has an interesting emotional core, brought out by performances of Pranav, Darshana and others, which makes gentle tugs at the viewers' heartstrings. Pranav, who dominates through both the halves of the film, has definitely evolved as a stronger performer with Hridayam. There are many hearty songs in the film and they are all well-placed.


The movie is quite long at 172 mins of running time and could have been trimmed further for a better impact, especially in the second half. Also, there are stretches where one might feel that the story comes across as a bit too familiar and simplistic, especially for those who have completed campus life in the early 2000s. The trajectory that Arun's life takes, from campus romance and discovery of the ideal career, to that of a family man, is sometimes a bit too convenient. While life places new challenges before him, one can’t sense much of an evolution within him, though there are a few dialogues that try to paint a changed man's picture. Kalyani’s character, too, could have been developed with a little more depth, considering that she entered the protagonist’s life after he experienced one episode of the typical meet-cute romance.

This is the sort of movie one would take home with a smile on the face, silly campus memories and may be, a song on the lips, if you don’t care much about character evolutions.

Comments

Popular posts from this blog

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Android Kunjappan Version 5.25

  A   buffalo on a rampage ,   teenaged human beings   and a robot in addition, of course, to adult humans – these have been the protagonists of Malayalam films in 2019 so far. Not that serious Indian cinephiles are unaware of this, but if anyone does ask, here is proof that this is a time of experimentation for one of India’s most respected film industries. Writer-director Ratheesh Balakrishnan Poduval’s contribution to what has been a magnificent year for Malayalam cinema so far is  Android Kunjappan Version 5.25 , a darling film about a mechanical engineer struggling to take care of his grouchy ageing father while also building a career for himself.Subrahmanian, played by Soubin Shahir, dearly loves his exasperating Dad. Over the years he has quit several big-city jobs, at each instance to return to his village in Kerala because good care-givers are hard to come by and even the halfway decent ones find this rigid old man intolerable. Bhaskaran Poduval (Suraj ...

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...