Skip to main content

King Richard

 


STORY: An origin story of Tennis superstars Venus and Serena Williams (played by Saniyya Sidney and Demi Singleton), the film takes a long hard look at the wind beneath their wings — their ambitious and unapologetic father and former coach Richard Williams (played by Will Smith).



REVIEW: In his recent documentary, Tiger Woods described his conflicted relationship with his father and intensely monitored childhood. Greek sensation Tennis star Stefanos Tsitsipas is open about bearing the brunt of his father’s on-court coaching violations. At no point have these sportsmen denied their fathers’ unparalled role in their success and career but an undercurrent of friction has always been evident. The fathers have a single-minded approach to their child’s excellence and it comes at a price.

King Richard follows the complex mind of a father, who stops at nothing to realise the dream he sees for his daughters. A middle-aged man with no professional tennis training, Richard Williams overcame poverty and racism and coached his daughters himself. Confident and self-assured to the point of being cocky, though respected for his persistence, over the years he notoriously became known for his overbearing ways and overprotective nature. According to Serena, this biopic gets her father’s story right.

The making of a champion needs an army and Richard led that army while recruiting a few more nominal heads along the way. He didn’t play by the rules and never underestimated his faith in his daughters’ potential. He ignored the conventional path of having his daughters play junior tournaments first. With hardly a junior match under her belt in 1994, a 14-year-old Venus Williams came out and won her first professional match. Her father’s methods and decisions weren’t always right but his point was simple… aim higher and never hesitate to demand what you deserve. Not to forget, a big fat paycheck. His excessive professional and emotional investment in his daughters, at times even undue interference compels you to think about the shifting parent-child dynamics in life and career.

Billed as Oscar bait, the sports biopic is pretty predictable and falls a little short of being iconic in terms of the canvas. However, it does succeed in putting a controversial, shrewd and manipulative hero in the front; that’s far from being likeable… an honest depiction of a relentless father. You admire his stubborn pursuit of black dominance in a relatively privileged white sport (Tennis) as he bulldozed his way to success instead of tiptoeing, as was expected of him. The poor are expected to be docile, after all. Interestingly, the courage and sass on display, don’t whitewash the controversies. Revolving around the rising careers of Venus and Serena, two sisters on the cusp of stardom, the narrative also understands their parents’ turbulent equation, class disparities and social stigma, sibling rivalry and their humble upbringing.

The Tennis shots are captured well and infuse the thrill and tension required. Will Smith gets you teary-eyed once again as he portrays an iron-willed father, a hustler who struggles to overcome his own childhood abandonment and trauma. He gets the lisp, accent and mannerisms, everything on point. Watch this one for both Will Smith and Richard Williams.

Comments

Popular posts from this blog

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Android Kunjappan Version 5.25

  A   buffalo on a rampage ,   teenaged human beings   and a robot in addition, of course, to adult humans – these have been the protagonists of Malayalam films in 2019 so far. Not that serious Indian cinephiles are unaware of this, but if anyone does ask, here is proof that this is a time of experimentation for one of India’s most respected film industries. Writer-director Ratheesh Balakrishnan Poduval’s contribution to what has been a magnificent year for Malayalam cinema so far is  Android Kunjappan Version 5.25 , a darling film about a mechanical engineer struggling to take care of his grouchy ageing father while also building a career for himself.Subrahmanian, played by Soubin Shahir, dearly loves his exasperating Dad. Over the years he has quit several big-city jobs, at each instance to return to his village in Kerala because good care-givers are hard to come by and even the halfway decent ones find this rigid old man intolerable. Bhaskaran Poduval (Suraj ...

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...