Skip to main content

Sebastian PC 524


Story: 
Sebastian is a police constable suffering from night blindness. When a murder takes place on his watch, how will he solve the crime?



Review: The trailer of Sebastian PC 524 promised something exciting. We’re told there’s a protagonist with a predicament, a murder mystery he must solve, basically the story of an underdog who must rise above his pitfalls. And after SR Kalyanamandapam, when movie buffs saw that Kiran Abbavaram chose a script that’s part thriller, it definitely ups expectations. But the film manages to meet none of them.

The film begins by introducing us to numerous characters as if every single one of them has a great bearing on the story. But as soon as Sebastian (Kiran Abbavaram) is brought into the fray, every single scene revolves around him and the story takes a back seat. He suffers from night blindness; his mother wants to keep it a secret. Director Sayyapu Reddy tries to use this issue for laughs but the joke feels overlong.

Soon a love track is forcibly brought into the fold and the songs test your patience. The film only gets into the thick of things when the murder takes place. Seba’s choice of keeping his disability a secret leads to the murder of a woman in town and he’s suspended. The makers finally give a reason for you to stay invested and wonder what happens next.

After watching the first half of Sebastian PC 524 no one expects the film to be an edge-of-the-seat thriller, but at least some decent storytelling is expected. But the muddled screenplay filled with unnecessary turns is a massive let-down. In an era where global cop dramas are at your fingertips, Sebastian seems like a sick joke. The way he ‘investigates’ the mystery and manages to solve it also hardly passes muster.

The film also manages to forget the ‘sincere’ love track it wasted time on in the first half. The mother sentiment fails to work due to bad placement in the scheme of things and writing. The climax feels rushed, giving an unsatisfactory ending to a tepid murder case. The background score by Ghibran is not enough to help Sebastian PC 524 stay afloat.

Kiran Abbavaram’s slang as a boy from Madanapalli might spill laughs but it’s not enough to help him shine. He pulls off his role well but what’s the point when he lands himself such scripts? Both Nuveksha and Komalee Prasad are barely on screen and don’t get to do much. All other actors fare well.

The story of Sebastian PC 524 has scope for so much more but the makers seem to hardly try. Even the short duration of the film feels long – and that says it all.

Comments

Popular posts from this blog

Kuthiraivaal

  Kuthiraivaal Movie Review:  Manoj Leonel Jahson and Shyam Sunder’s directorial debut Kuthiraivaal brims with colours and striking imagery. This is apparent as early as its first scene, where its protagonist Saravanan alias Freud squirms in his bed, suspecting a bad omen. As some light fills his aesthetic apartment wrapped with vintage wall colours, his discomfort finally makes sense—for he has woken up with a horse’s tail! The scene is set up incredibly, leaving us excited for what is to come. But is the film as magical as the spectacle it presents on screen? Kuthiraivaal revolves around Saravanan (played by a brilliant Kalaiyarasan) and his quest to find out why he suddenly wakes up with a horse’s tail, and on the way, his existence in life. Saravanan’s universe is filled with colourful characters, almost magical yet just real enough—be it his whimsical neighbour Babu (Chetan), who speaks about his love for his dog and loneliness in the same breath, or the corner-side cigar...

Maaran

Even as early as about five minutes into Maaran, it’s hard to care. The craft seems to belong in a bad TV serial, and the dialogues and performances don't help either. During these opening minutes, you get journalist Sathyamoorthy (Ramki) rambling on about publishing the ‘truth’, while it gets established that his wife is pregnant and ready to deliver ANY SECOND. A pregnant wife on the cusp of delivery in our 'commercial' cinema means that the bad men with sickles are in the vicinity and ready to pounce. Sometimes, it almost feels like they wait around for women to get pregnant, so they can strike. When the expected happens—as it does throughout this cliché-ridden film—you feel no shock. The real shock is when you realise that the director credits belong to the filmmaker who gave us Dhuruvangal Pathinaaru, that the film stars Dhanush, from whom we have come to expect better, much better. Director: Karthick Naren Cast: Dhanush, Malavika Mohanan, Ameer, Samuthirakani Stre...

Gangubai Kathiawadi

  STORY:  Based on S. Hussain Zaidi and Jane Borges’ hard-hitting book ‘Mafia Queens of Mumbai,’ ‘Gangubai Kathiawadi’ chronicles Ganga’s rise to power and fame from a demure small-town girl in Gujarat, to the undisputed queen of kamathipura in Mumbai. REVIEW:  Women invitingly standing at the doorstep of a kotha (brothel) in the bustling bylanes of south Mumbai’s infamous red-light area Kamathipura, is a scene that is real, tragic and dramatic. Director Sanjay Leela Bhansali’s film ‘Gangubai Kathiawadi’, set entirely against this gritty backdrop of Mumbai tells the story of many a young women, who were sold off to brothels for a few hundreds, solely through the eyes of its protagonist Gangubai (Alia Bhatt). It’s sometime in the early 1950s or 1960s when a starry-eyed and naïve Ganga is conned by her own lover Ramnik (Varun Kapoor) to elope with a promise that he will pave the path for her to make it as a heroine in Bollywood. What turns out and the truth as we all know i...